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Cinefex :: 电影特效杂志 :: Cinefex :: Visual Effects Magazine :: Special Effects :: CG :: Computer Graphics
Cinefex is a bimonthly magazine devoted to motion picture visual effects. Since 1980, it has been the bible for effects professionals and enthusiasts, covering the field like no other publication. Profusely illustrated in color, with as many as 150 pages per issue, Cinefex offers a captivating look at the technologies and techniques behind many of our most popular and enduring movies.
Article by Joe Fordham
Director Zack Snyder sets the stage for combat with production designer Patrick Tatopoulos, visual effects supervisor John DesJardin and special effects supervisor Joel Whist, with other practical effects supplied by Ironhead Studio, Film Illusions and Vehicle Effects, along with visual effects pugilists at Scanline VFX, MPC, Weta Digital, Double Negative, Shade VFX, Teamworks Digital, The Resistance VFX and Gentle Giant Studios.
Article by Graham Edwards
In his feature directing debut, Tim Miller helms Deadpool, starring Ryan Reynolds as Marvel's outrageous anti-hero, who gains accelerated healing powers following an unauthorized military experiment. Deadpool's unique blend of violent action and dark humor is brought to the screen with the help of artists at Luma Pictures, Image Engine, Digital Domain, Rodeo FX, Ollin VFX, Atomic Fiction and Digiscope, under the supervision of visual effects supervisor Jonathan Rothbart, with practical duties performed on set by special effects supervisor Alex Burdett and makeup effects supervisor Bill Corso.
Article by Graham Edwards
Directors Joel and Ethan Coen transport audiences to the Technicolor world of the 1950s with the quirky Hail, Caesar!, in which Hollywood fixer Eddie Mannix tries everything in his power to keep a movie studio's wayward stars in line. With an all-star cast including George Clooney, Josh Brolin, Scarlett Johansson and Channing Tatum, Hail, Caesar! sees visual effects supervisor Dan Schrecker and artists at Psyop, together with special effects supervisor Steve Cremin, using effects techniques both old and new to re-create the cinematic magic of a bygone era.
Article by Jody Duncan
Sony Pictures Entertainment and director J Blakeson bring author Rick Yancey's popular novel series to the screen. Starring Chloë Grace Moretz and Liev Schreiber, the film follows Cassie Sullivan, a young woman struggling to survive the latest in the waves of alien invasion as she searches for her lost brother. The production required interesting special makeup effects by Mark James Ross, as well as a variety of high-end visual effects by Shade VFX, Scanline VFX, Spin VFX, Clearcut FX, Method Studios, The Embassy and Mammal Studios.
Interview by Graham Edwards
Visionary director Alex Proyas conjures a magical world inspired by the mythology of Ancient Egypt. In this special Q&A, visual effects supervisor Eric Durst talks gods, monsters and the truly monumental 2,550-shot workload shared between Iloura, Rising Sun Pictures, Cinesite, Tippett Studio, Rodeo FX, Fin VFX, Raynault VFX, UPP, Makeshift VFX, Comen VFX and Crafty Apes, working from extensive previs by Proof, Inc.
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